james bowman , the king's consort, robert king

Theodora, oratorio, HWV 68 - Air (Didymus): “The raptur’d soul defies the sword” (Act I, Scene 2) 

Solomon, oratorio, HWV 67 - Accompagnato (Solomon): “Almighty pow’r! who rul’st the earth and skies” (Act I, Scene 1, No. 5) 

Esther, oratorio, HWV 50a - Recitative & Air (1st Israelite): “Now persecution shall lay by her iron rod” … “Tune your harps to cheerful strains” (Act I, Scene 2, Nos. 1-2) 

Handel - Tanti Affanni (Ottone) 

Saul, oratorio, HWV 53 - Air (David): “O Lord, whose mercies numberless” (Act I, Scene 5) 

Arise, My Muse (Gillian Gisher, Tessa Bonner - sopranos; James Bowman, Michael Chance - countertenors; Charles Daniels - tenor, alto; John Mark Ainsley - tenor; Michael George, Charles Pott - basses; The King's Consort, Robert King), 1993 

Welcome to All the Pleasures (Gillian Gisher, Tessa Bonner - sopranos; James Bowman, Michael Chance - countertenors; Charles Daniels - tenor, alto; John Mark Ainsley - tenor; Michael George, Charles Pott - basses; The King's Consort, Robert King) 

Solomon, oratorio, HWV 67 - Air (Solomon): “What though I trace each herb and flow’r” (Act I, Scene 1) 

The Choice of Hercules, oratorio, HWV 69 - Air (Hercules): “Yet, can I hear that dulcet lay” (No. 15) 

Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (James Bowman, Robert King, The King's Consort ), 1988 

Theodora, oratorio, HWV 68 - Air (Didymus): “Kind Heaven, if virtue be thy care” (Act I, Scene 6) 

Belshazzar, oratorio, HWV 61 - Martial Symphony ; Air (Cyrus): “Destructive War, thy limits know” (Act III, Scene 3) 

Esther, oratorio, HWV 50a - Air (Assuerus): “How can I stay, when love invites? (Act II, Scene 2, No. 5) 

Handel - Cara Sposa (Rinaldo) 

Belshazzar, oratorio, HWV 61 - Air (Cyrus): “Great God! who, yet but darkly known” (Act I, Scene 2) 

Judas Maccabaeus, oratorio, HWV 63 - Air (Priest): “Father of heav’n! From thy eternal throne” (Act III, No. 1) 

Handel - Verdi Prati (Alcina)